ONLINE CATALOGUE   I G G   2018–22
ABBREVIATION: I G G
CONTENT: WORKS
PERIOD: 2018-2022
SELECTED AND LISTED WORKS: 49

ILLYA GOLDMAN GUBIN

NO

TITLE

EDITION

COLOR

YEAR

CATEGORY

FILE

48

KARTON VASE

1B

NATUR

2022

OBJECT

PDF

REQUEST ARTWORK

ARTWORK NAME:
Karton Vase 1B Natur, 2022

ARTIST NAME:
Illya Goldman Gubin

EDITION:
Unique

MEASUREMENTS:
110 x 49 x 31 cm

MEDIUM:
Karton, Epoxy resin, Fiberglas

VIEWED /DATE:

Side Gallery Casavells April 2022
Sized Ltd Los Angeles February 2022

EXHIBITION TEXT: 

/

 

47

KARTON STUHL

1B

NATUR

2021

FURNITURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Karton Stuhl 1B Natur, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
Unique

MEASUREMENTS:
124 x 80 x 82 cm

MEDIUM:
Karton, Epoxy resin, Fiberglas

VIEWED /DATE:
Side Gallery Casavells April 2022
Tribes Space Berlin September, 2021

EXHIBITION TEXT: 

In Karton, a selection of works from Illya Goldman Gubin, we are introduced to a new but familiar path. Extending from his resinexperiments allowing fluidity to find form, now this takes the form of utility. Utility in function; resinated cardboard structures are sostiffened that they become the seats we remember as children.

Stemming from smaller prototypes accomplished in 2020, these reinforced objects have found structural integrity through serious play. The crushed and hand-formed appearance is something out of a childhood memory. Our past relation with such ever-present material as cardboard, now enters our present again. This cogni- tive jolt of reminiscence of the familiar is further fortified through Illya’s experimental practice. Resin and fibreglass bring to reality that which before only existed in our youthful imagination. Past daydreams thrust into realities.

A seat, a bench, a table; boxes stacked high call for engagement. Hardened by Illya’s signature resin and fibreglass techniques, thiscardboard material normally associated with transport and move- ment now becomes domestically stoic. While staying true to their raw aesthetic, the use or misuse of these implied objects brings new meaning. Where these cardboard parameters once contained and held in, now they support and withstand out. Movement of goods within these boxes now alludes to mental movement and support outward; interior becomes exterior and back again. What we once carried, can now carry us.

Adjoining flat wall pieces are direct references to the formed furni- ture laying in front of them. Guidelines or instructions showing that this can be built and completed again. The totality of the space is accomplished through contortions and arrangements of the sum of its components. A full body-of-work referencing itself; all we have is all we need. The cognitive boundaries of the relation to the work and even the assembly of the forms, is already present and accessible. All that’s remaining from us is a return to the curious mind. Karton is born from remembering this mindset.

 

46

KARTON BANK

1B

NATUR

2021

FURNITURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Karton Bank 1B Natur, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
Unique

MEASUREMENTS:
180 x 44 x 35 cm

MEDIUM:
Karton, Epoxy resin, Fiberglas

VIEWED /DATE:
Side Gallery Casavells April 2022
Tribes space Berlin September, 2021

EXHIBITION TEXT: 

In Karton, a selection of works from Illya Goldman Gubin, we are introduced to a new but familiar path. Extending from his resinexperiments allowing fluidity to find form, now this takes the form of utility. Utility in function; resinated cardboard structures are sostiffened that they become the seats we remember as children.

Stemming from smaller prototypes accomplished in 2020, these reinforced objects have found structural integrity through serious play. The crushed and hand-formed appearance is something out of a childhood memory. Our past relation with such ever-present material as cardboard, now enters our present again. This cogni- tive jolt of reminiscence of the familiar is further fortified through Illya’s experimental practice. Resin and fibreglass bring to reality that which before only existed in our youthful imagination. Past daydreams thrust into realities.

A seat, a bench, a table; boxes stacked high call for engagement. Hardened by Illya’s signature resin and fibreglass techniques, thiscardboard material normally associated with transport and move- ment now becomes domestically stoic. While staying true to their raw aesthetic, the use or misuse of these implied objects brings new meaning. Where these cardboard parameters once contained and held in, now they support and withstand out. Movement of goods within these boxes now alludes to mental movement and support outward; interior becomes exterior and back again. What we once carried, can now carry us.

Adjoining flat wall pieces are direct references to the formed furni- ture laying in front of them. Guidelines or instructions showing that this can be built and completed again. The totality of the space is accomplished through contortions and arrangements of the sum of its components. A full body-of-work referencing itself; all we have is all we need. The cognitive boundaries of the relation to the work and even the assembly of the forms, is already present and accessible. All that’s remaining from us is a return to the curious mind. Karton is born from remembering this mindset.

 

45

PAPIER TISCH

1B

GRÜN

2021

FURNITURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Papier Tisch 1B Grün, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
Unique

MEASUREMENTS:
165 x 72 x 25 cm

MEDIUM:
Paper,, Epoxy resin

VIEWED /DATE:
Side Gallery Casavells April 2022
Tribes space Berlin September, 2021

EXHIBITION TEXT: 

In Karton, a selection of works from Illya Goldman Gubin, we are introduced to a new but familiar path. Extending from his resinexperiments allowing fluidity to find form, now this takes the form of utility. Utility in function; resinated cardboard structures are sostiffened that they become the seats we remember as children.

Stemming from smaller prototypes accomplished in 2020, these reinforced objects have found structural integrity through serious play. The crushed and hand-formed appearance is something out of a childhood memory. Our past relation with such ever-present material as cardboard, now enters our present again. This cogni- tive jolt of reminiscence of the familiar is further fortified through Illya’s experimental practice. Resin and fibreglass bring to reality that which before only existed in our youthful imagination. Past daydreams thrust into realities.

A seat, a bench, a table; boxes stacked high call for engagement. Hardened by Illya’s signature resin and fibreglass techniques, thiscardboard material normally associated with transport and move- ment now becomes domestically stoic. While staying true to their raw aesthetic, the use or misuse of these implied objects brings new meaning. Where these cardboard parameters once contained and held in, now they support and withstand out. Movement of goods within these boxes now alludes to mental movement and support outward; interior becomes exterior and back again. What we once carried, can now carry us.

Adjoining flat wall pieces are direct references to the formed furni- ture laying in front of them. Guidelines or instructions showing that this can be built and completed again. The totality of the space is accomplished through contortions and arrangements of the sum of its components. A full body-of-work referencing itself; all we have is all we need. The cognitive boundaries of the relation to the work and even the assembly of the forms, is already present and accessible. All that’s remaining from us is a return to the curious mind. Karton is born from remembering this mindset.

 

44

KARTON HOCKER

1-5B

NATUR

2021

FURNITURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Karton Hocker 1-5B, Natur, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
Unique

MEASUREMENTS:
46 x 45 cm

MEDIUM:
Cardboard, Epoxy resin, Fiberglass

VIEWED /DATE:
Side Gallery Casavells April 2022
Tribes space Berlin September, 2021

EXHIBITION TEXT: 

In Karton, a selection of works from Illya Goldman Gubin, we are introduced to a new but familiar path. Extending from his resinexperiments allowing fluidity to find form, now this takes the form of utility. Utility in function; resinated cardboard structures are sostiffened that they become the seats we remember as children.

Stemming from smaller prototypes accomplished in 2020, these reinforced objects have found structural integrity through serious play. The crushed and hand-formed appearance is something out of a childhood memory. Our past relation with such ever-present material as cardboard, now enters our present again. This cogni- tive jolt of reminiscence of the familiar is further fortified through Illya’s experimental practice. Resin and fibreglass bring to reality that which before only existed in our youthful imagination. Past daydreams thrust into realities.

A seat, a bench, a table; boxes stacked high call for engagement. Hardened by Illya’s signature resin and fibreglass techniques, thiscardboard material normally associated with transport and move- ment now becomes domestically stoic. While staying true to their raw aesthetic, the use or misuse of these implied objects brings new meaning. Where these cardboard parameters once contained and held in, now they support and withstand out. Movement of goods within these boxes now alludes to mental movement and support outward; interior becomes exterior and back again. What we once carried, can now carry us.

Adjoining flat wall pieces are direct references to the formed furni- ture laying in front of them. Guidelines or instructions showing that this can be built and completed again. The totality of the space is accomplished through contortions and arrangements of the sum of its components. A full body-of-work referencing itself; all we have is all we need. The cognitive boundaries of the relation to the work and even the assembly of the forms, is already present and accessible. All that’s remaining from us is a return to the curious mind. Karton is born from remembering this mindset.

 

43

HÜLLE

15B

ORANGE

2021

PAINTING

PDF

SOLD

ARTWORK NAME:
Hülle 15B, Orange, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
100 x 70 cm

MEDIUM:
Paper, Mixed Media

VIEWED /DATE:
/

EXHIBITION TEXT: 
/

 

43

42

KARTON

2B

NATUR

2021

PAINTING

PDF

ILLYA GOLDMAN GUBIN

REQUEST ARTWORK

ARTWORK NAME:
Karton 2B, Natur, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
190 x 90 cm

MEDIUM:
Cardboard, Epoxy resin

VIEWED /DATE:
September, 2021

EXHIBITION TEXT: 

In Karton, a selection of works from Illya Goldman Gubin, we are introduced to a new but familiar path. Extending from his resinexperiments allowing fluidity to find form, now this takes the form of utility. Utility in function; resinated cardboard structures are sostiffened that they become the seats we remember as children.

Stemming from smaller prototypes accomplished in 2020, these reinforced objects have found structural integrity through serious play. The crushed and hand-formed appearance is something out of a childhood memory. Our past relation with such ever-present material as cardboard, now enters our present again. This cogni- tive jolt of reminiscence of the familiar is further fortified through Illya’s experimental practice. Resin and fibreglass bring to reality that which before only existed in our youthful imagination. Past daydreams thrust into realities.

A seat, a bench, a table; boxes stacked high call for engagement. Hardened by Illya’s signature resin and fibreglass techniques, thiscardboard material normally associated with transport and move- ment now becomes domestically stoic. While staying true to their raw aesthetic, the use or misuse of these implied objects brings new meaning. Where these cardboard parameters once contained and held in, now they support and withstand out. Movement of goods within these boxes now alludes to mental movement and support outward; interior becomes exterior and back again. What we once carried, can now carry us.

Adjoining flat wall pieces are direct references to the formed furni- ture laying in front of them. Guidelines or instructions showing that this can be built and completed again. The totality of the space is accomplished through contortions and arrangements of the sum of its components. A full body-of-work referencing itself; all we have is all we need. The cognitive boundaries of the relation to the work and even the assembly of the forms, is already present and accessible. All that’s remaining from us is a return to the curious mind. Karton is born from remembering this mindset.

 

42

41

KARTON

1B

NATUR

2021

PAINTING

PDF

ILLYA GOLDMAN GUBIN

REQUEST ARTWORK

ARTWORK NAME:
Karton 1B, Natur, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
400 x 80 cm

MEDIUM:
Cardboard, Epoxy resin

VIEWED /DATE:
September, 2021

EXHIBITION TEXT: 

In Karton, a selection of works from Illya Goldman Gubin, we are introduced to a new but familiar path. Extending from his resinexperiments allowing fluidity to find form, now this takes the form of utility. Utility in function; resinated cardboard structures are sostiffened that they become the seats we remember as children.

Stemming from smaller prototypes accomplished in 2020, these reinforced objects have found structural integrity through serious play. The crushed and hand-formed appearance is something out of a childhood memory. Our past relation with such ever-present material as cardboard, now enters our present again. This cogni- tive jolt of reminiscence of the familiar is further fortified through Illya’s experimental practice. Resin and fibreglass bring to reality that which before only existed in our youthful imagination. Past daydreams thrust into realities.

A seat, a bench, a table; boxes stacked high call for engagement. Hardened by Illya’s signature resin and fibreglass techniques, thiscardboard material normally associated with transport and move- ment now becomes domestically stoic. While staying true to their raw aesthetic, the use or misuse of these implied objects brings new meaning. Where these cardboard parameters once contained and held in, now they support and withstand out. Movement of goods within these boxes now alludes to mental movement and support outward; interior becomes exterior and back again. What we once carried, can now carry us.

Adjoining flat wall pieces are direct references to the formed furni- ture laying in front of them. Guidelines or instructions showing that this can be built and completed again. The totality of the space is accomplished through contortions and arrangements of the sum of its components. A full body-of-work referencing itself; all we have is all we need. The cognitive boundaries of the relation to the work and even the assembly of the forms, is already present and accessible. All that’s remaining from us is a return to the curious mind. Karton is born from remembering this mindset.

 

41

40

HÜLLE

13B

NATUR

2021

PAINTING

PDF

ILLYA GOLDMAN GUBIN

REQUEST ARTWORK

ARTWORK NAME:
Hülle 13B, Natur, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
50 x 60  cm

MEDIUM:
Paper, Mixed Media

VIEWED /DATE:
/

EXHIBITION TEXT: 
/

40

39

SCULPTOR COAT

/

WEISS

2021

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Sculptor Coat White ,2021

ARTIST NAME:
Illya Goldman Gubin [collaborative work with Jakob Hetzer]

EDITION:
One

MEASUREMENTS:
Sculpture:189 x 40  cm, Foot: 25 x 25 cm

MEDIUM:
Fabric, Epoxy Resin, Raw Metal

VIEWED /DATE:
/

EXHIBITION TEXT: 
/

39

38

SCULPTOR COAT

/

SCHWARZ

2021

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Sculptor Coat Black ,2021

ARTIST NAME:
Illya Goldman Gubin [collaborative work with Jakob Hetzer]

EDITION:
One

MEASUREMENTS:
Sculpture:195 x 40  cm, Foot: 25 x 25 cm

MEDIUM:
Fabric, Epoxy Resin, Raw Metal

VIEWED /DATE:
/

EXHIBITION TEXT: 
/

38

37

HÜLLE

7B

ROT

2021

PAINTING

PDF

REQUEST ARTWORK

ARTWORK NAME:
Hülle 7B, Rot, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
180 x 90  cm

MEDIUM:
Paper, Mixed Media

VIEWED /DATE:
/

EXHIBITION TEXT: 
/

37

36

HÜLLE

4B

BLAU

2021

PAINTING

PDF

REQUEST ARTWORK

ARTWORK NAME:
Hülle 4B, Blau, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
200 x 150  cm

MEDIUM:
Paper, Mixed Media

VIEWED /DATE:
/

EXHIBITION TEXT: 
/

36

35

STRUKTUR

8B

SCHWARZ

2021

PAINTING

PDF

SOLD

ARTWORK NAME:
Struktur 8B, Schwarz, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
60 x 80 cm

MEDIUM:
Mixed Media on canvas

VIEWED /DATE:
/

EXHIBITION TEXT: 
/

35

34

HÜLLE

2B

SCHWARZ

2020

PAINTING

PDF

REQUEST ARTWORK

ARTWORK NAME:
Hülle 2B, Schwarz, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
80 x 60  cm

MEDIUM:
Paper, Mixed Media

VIEWED /DATE:
/

EXHIBITION TEXT: 
/

34

33

STRUKTUR

7B

ROT

2020

PAINTING

PDF

REQUEST ARTWORK

ARTWORK NAME:
Struktur 7B, Rot, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
24 x 33 cm

MEDIUM:
Mixed Media on canvas

VIEWED /DATE:
/

EXHIBITION TEXT: 
/

33

32

STRUKTUR

6B

SCHWARZ

2020

PAINTING

PDF

SOLD

ARTWORK NAME:
Struktur 6B, Schwarz, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
24 x 33 cm

MEDIUM:
Mixed Media on canvas

VIEWED /DATE:
/

EXHIBITION TEXT: 
/

32

31

STRUKTUR

5B

SCHWARZ

2020

PAINTING

PDF

REQUEST ARTWORK

ARTWORK NAME:
Struktur 5B, Schwarz, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
50 x 60 cm

MEDIUM:
Mixed Media on canvas

VIEWED /DATE:
/

EXHIBITION TEXT: 
/

31

30

TERRA

7B

SCHWARZ

2020

PAINTING

PDF

ILLYA GOLDMAN GUBIN

SOLD

ARTWORK NAME:
Terra 7B, Schwarz, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
24 x 33 cm

MEDIUM:
Local Soil, Mixed Media on canvas

VIEWED /DATE:
"Erde" exhibition in Berlin  /June 2020

EXHIBITION TEXT:

Earth is the foundation of all life; and everything that spawns from it must eventually return to its soil. From the midst of this cycle of becoming and transience, the exhibition “Erde” by Illya Goldman Gubin under the former atelier name „97cm“ sets out to explore and reflect on timeless questions: Where are we coming from? Where are we going? What are the possibilities and conditions of creation? What can we learn from nature and how can we integrate this knowledge into our modern lives? The exhibition is not providing definitive answers; rather, it conceives of the artworks as spiritual and sensory encounters.

The concept of an eternal point of origin from which creation flows forms the central motif of “Erde“. Earth, therefore, has two meanings: it is an originary world, our home planet, a giant machine providing the possibility of life. In addition, it is the soil teeming with life - a plane of immanence that is the condition of creation. „Ursprung /Erde“, a crater filled with soil and water is thus the centerpiece from which the other works are created. The soil itself is sourced from Berlin, Germany, its unique composition and richness both a testament to its interconnected location in the world and a symbol for the diversity of creation. The water in the crater is a reflective surface that looks back at the viewer, emphasizing the connectedness to nature.

The series of artworks featured in the exhibition, then, provoke visitors to feel for an essence rather than to simply observe a form. Connecting to the earth, visitors are invited to reflect on the deep, murky depths of our common origin and consider its formless simplicity. In so doing, they are able to reduce the psychological distance between individual things, realizing the arbitrariness of boundaries, and rediscovering themselves within the other. As a result, “Erde” encourages visitors to reconcile the originary world with the modernity of everyday life.

The art exhibition “Erde” marks the beginning of a new episode in Illya Goldman Gubin’s oeuvre that will focus on the exploration of time, nature, and the elements.

 

30

29

TERRA

6B

SCHWARZ

2020

PAINTING

PDF

ILLYA GOLDMAN GUBIN

REQUEST ARTWORK

ARTWORK NAME:
Terra 6B, Schwarz, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
24 x 33 cm

MEDIUM:
Local Soil, Mixed Media on canvas

VIEWED /DATE:
"Erde" exhibition  in Berlin  /June 2020

EXHIBITION TEXT: 

Earth is the foundation of all life; and everything that spawns from it must eventually return to its soil. From the midst of this cycle of becoming and transience, the exhibition “Erde” by Illya Goldman Gubin under the former atelier name „97cm“ sets out to explore and reflect on timeless questions: Where are we coming from? Where are we going? What are the possibilities and conditions of creation? What can we learn from nature and how can we integrate this knowledge into our modern lives? The exhibition is not providing definitive answers; rather, it conceives of the artworks as spiritual and sensory encounters.

The concept of an eternal point of origin from which creation flows forms the central motif of “Erde“. Earth, therefore, has two meanings: it is an originary world, our home planet, a giant machine providing the possibility of life. In addition, it is the soil teeming with life - a plane of immanence that is the condition of creation. „Ursprung /Erde“, a crater filled with soil and water is thus the centerpiece from which the other works are created. The soil itself is sourced from Berlin, Germany, its unique composition and richness both a testament to its interconnected location in the world and a symbol for the diversity of creation. The water in the crater is a reflective surface that looks back at the viewer, emphasizing the connectedness to nature.

The series of artworks featured in the exhibition, then, provoke visitors to feel for an essence rather than to simply observe a form. Connecting to the earth, visitors are invited to reflect on the deep, murky depths of our common origin and consider its formless simplicity. In so doing, they are able to reduce the psychological distance between individual things, realizing the arbitrariness of boundaries, and rediscovering themselves within the other. As a result, “Erde” encourages visitors to reconcile the originary world with the modernity of everyday life.

The art exhibition “Erde” marks the beginning of a new episode in Illya Goldman Gubin’s oeuvre that will focus on the exploration of time, nature, and the elements.

 

29

28

TERRA

5B

SCHWARZ

2020

PAINTING

PDF

ILLYA GOLDMAN GUBIN

SOLD

ARTWORK NAME:
Terra 5B, Schwarz, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
24 x 33 cm

MEDIUM:
Local Soil, Mixed Media on canvas

VIEWED /DATE:
"Erde" exhibition in Berlin  /June 2020

EXHIITION TEXT: 

Earth is the foundation of all life; and everything that spawns from it must eventually return to its soil. From the midst of this cycle of becoming and transience, the exhibition “Erde” by Illya Goldman Gubin under the former atelier name „97cm“ sets out to explore and reflect on timeless questions: Where are we coming from? Where are we going? What are the possibilities and conditions of creation? What can we learn from nature and how can we integrate this knowledge into our modern lives? The exhibition is not providing definitive answers; rather, it conceives of the artworks as spiritual and sensory encounters.

The concept of an eternal point of origin from which creation flows forms the central motif of “Erde“. Earth, therefore, has two meanings: it is an originary world, our home planet, a giant machine providing the possibility of life. In addition, it is the soil teeming with life - a plane of immanence that is the condition of creation. „Ursprung /Erde“, a crater filled with soil and water is thus the centerpiece from which the other works are created. The soil itself is sourced from Berlin, Germany, its unique composition and richness both a testament to its interconnected location in the world and a symbol for the diversity of creation. The water in the crater is a reflective surface that looks back at the viewer, emphasizing the connectedness to nature.

The series of artworks featured in the exhibition, then, provoke visitors to feel for an essence rather than to simply observe a form. Connecting to the earth, visitors are invited to reflect on the deep, murky depths of our common origin and consider its formless simplicity. In so doing, they are able to reduce the psychological distance between individual things, realizing the arbitrariness of boundaries, and rediscovering themselves within the other. As a result, “Erde” encourages visitors to reconcile the originary world with the modernity of everyday life.

The art exhibition “Erde” marks the beginning of a new episode in Illya Goldman Gubin’s oeuvre that will focus on the exploration of time, nature, and the elements.

 

28

27

TERRA

4B

SCHWARZ

2020

PAINTING

PDF

ILLYA GOLDMAN GUBIN

REQUEST ARTWORK

ARTWORK NAME:
Terra 4B, Schwarz, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
24 x 33 cm

MEDIUM:
Local Soil, Mixed Media on canvas

VIEWED /DATE:
"Erde" exhibition in Berlin  /June 2020

EXHIBITION TEXT: 

Earth is the foundation of all life; and everything that spawns from it must eventually return to its soil. From the midst of this cycle of becoming and transience, the exhibition “Erde” by Illya Goldman Gubin under the former atelier name „97cm“ sets out to explore and reflect on timeless questions: Where are we coming from? Where are we going? What are the possibilities and conditions of creation? What can we learn from nature and how can we integrate this knowledge into our modern lives? The exhibition is not providing definitive answers; rather, it conceives of the artworks as spiritual and sensory encounters.

The concept of an eternal point of origin from which creation flows forms the central motif of “Erde“. Earth, therefore, has two meanings: it is an originary world, our home planet, a giant machine providing the possibility of life. In addition, it is the soil teeming with life - a plane of immanence that is the condition of creation. „Ursprung /Erde“, a crater filled with soil and water is thus the centerpiece from which the other works are created. The soil itself is sourced from Berlin, Germany, its unique composition and richness both a testament to its interconnected location in the world and a symbol for the diversity of creation. The water in the crater is a reflective surface that looks back at the viewer, emphasizing the connectedness to nature.

The series of artworks featured in the exhibition, then, provoke visitors to feel for an essence rather than to simply observe a form. Connecting to the earth, visitors are invited to reflect on the deep, murky depths of our common origin and consider its formless simplicity. In so doing, they are able to reduce the psychological distance between individual things, realizing the arbitrariness of boundaries, and rediscovering themselves within the other. As a result, “Erde” encourages visitors to reconcile the originary world with the modernity of everyday life.

The art exhibition “Erde” marks the beginning of a new episode in Illya Goldman Gubin’s oeuvre that will focus on the exploration of time, nature, and the elements.

 

27

26

STAMM ERDE

1-5B

SCHWARZ

2020

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Stamm Erde 1-5B, Schwarz, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
Five

MEASUREMENTS:
7 x 250 cm

MEDIUM:
Local Soil, Mixed Media

VIEWED /DATE:
"Erde" exhibition in Berlin  /June 2020

EXHIBITION TEXT: 

Earth is the foundation of all life; and everything that spawns from it must eventually return to its soil. From the midst of this cycle of becoming and transience, the exhibition “Erde” by Illya Goldman Gubin under the former atelier name „97cm“ sets out to explore and reflect on timeless questions: Where are we coming from? Where are we going? What are the possibilities and conditions of creation? What can we learn from nature and how can we integrate this knowledge into our modern lives? The exhibition is not providing definitive answers; rather, it conceives of the artworks as spiritual and sensory encounters.

The concept of an eternal point of origin from which creation flows forms the central motif of “Erde“. Earth, therefore, has two meanings: it is an originary world, our home planet, a giant machine providing the possibility of life. In addition, it is the soil teeming with life - a plane of immanence that is the condition of creation. „Ursprung /Erde“, a crater filled with soil and water is thus the centerpiece from which the other works are created. The soil itself is sourced from Berlin, Germany, its unique composition and richness both a testament to its interconnected location in the world and a symbol for the diversity of creation. The water in the crater is a reflective surface that looks back at the viewer, emphasizing the connectedness to nature.

The series of artworks featured in the exhibition, then, provoke visitors to feel for an essence rather than to simply observe a form. Connecting to the earth, visitors are invited to reflect on the deep, murky depths of our common origin and consider its formless simplicity. In so doing, they are able to reduce the psychological distance between individual things, realizing the arbitrariness of boundaries, and rediscovering themselves within the other. As a result, “Erde” encourages visitors to reconcile the originary world with the modernity of everyday life.

The art exhibition “Erde” marks the beginning of a new episode in Illya Goldman Gubin’s oeuvre that will focus on the exploration of time, nature, and the elements.

 

26

25

TERRA

3B

SCHWARZ

2020

PAINTING

PDF

REQUEST ARTWORK

ARTWORK NAME:
Terra 3B, Schwarz, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
150 x 100  cm

MEDIUM:
Local Soil, Mixed Media on canvas

VIEWED /DATE:
"Erde" exhibition in Berlin  /June 2020

EXHIBITION TEXT: 

Earth is the foundation of all life; and everything that spawns from it must eventually return to its soil. From the midst of this cycle of becoming and transience, the exhibition “Erde” by Illya Goldman Gubin under the former atelier name „97cm“ sets out to explore and reflect on timeless questions: Where are we coming from? Where are we going? What are the possibilities and conditions of creation? What can we learn from nature and how can we integrate this knowledge into our modern lives? The exhibition is not providing definitive answers; rather, it conceives of the artworks as spiritual and sensory encounters.

The concept of an eternal point of origin from which creation flows forms the central motif of “Erde“. Earth, therefore, has two meanings: it is an originary world, our home planet, a giant machine providing the possibility of life. In addition, it is the soil teeming with life - a plane of immanence that is the condition of creation. „Ursprung /Erde“, a crater filled with soil and water is thus the centerpiece from which the other works are created. The soil itself is sourced from Berlin, Germany, its unique composition and richness both a testament to its interconnected location in the world and a symbol for the diversity of creation. The water in the crater is a reflective surface that looks back at the viewer, emphasizing the connectedness to nature.

The series of artworks featured in the exhibition, then, provoke visitors to feel for an essence rather than to simply observe a form. Connecting to the earth, visitors are invited to reflect on the deep, murky depths of our common origin and consider its formless simplicity. In so doing, they are able to reduce the psychological distance between individual things, realizing the arbitrariness of boundaries, and rediscovering themselves within the other. As a result, “Erde” encourages visitors to reconcile the originary world with the modernity of everyday life.

The art exhibition “Erde” marks the beginning of a new episode in Illya Goldman Gubin’s oeuvre that will focus on the exploration of time, nature, and the elements.

 

25

24

TERRA

2B

SCHWARZ

2020

PAINTING

PDF

SOLD

ARTWORK NAME:
Terra 2B, Schwarz, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
150 x 100 cm

MEDIUM:
Local Soil, Mixed Media on canvas


VIEWED /DATE:
"Erde" exhibition in Berlin  /June 2020

EXHIBITION TEXT: 

Earth is the foundation of all life; and everything that spawns from it must eventually return to its soil. From the midst of this cycle of becoming and transience, the exhibition “Erde” by Illya Goldman Gubin under the former atelier name „97cm“ sets out to explore and reflect on timeless questions: Where are we coming from? Where are we going? What are the possibilities and conditions of creation? What can we learn from nature and how can we integrate this knowledge into our modern lives? The exhibition is not providing definitive answers; rather, it conceives of the artworks as spiritual and sensory encounters.

The concept of an eternal point of origin from which creation flows forms the central motif of “Erde“. Earth, therefore, has two meanings: it is an originary world, our home planet, a giant machine providing the possibility of life. In addition, it is the soil teeming with life - a plane of immanence that is the condition of creation. „Ursprung /Erde“, a crater filled with soil and water is thus the centerpiece from which the other works are created. The soil itself is sourced from Berlin, Germany, its unique composition and richness both a testament to its interconnected location in the world and a symbol for the diversity of creation. The water in the crater is a reflective surface that looks back at the viewer, emphasizing the connectedness to nature.

The series of artworks featured in the exhibition, then, provoke visitors to feel for an essence rather than to simply observe a form. Connecting to the earth, visitors are invited to reflect on the deep, murky depths of our common origin and consider its formless simplicity. In so doing, they are able to reduce the psychological distance between individual things, realizing the arbitrariness of boundaries, and rediscovering themselves within the other. As a result, “Erde” encourages visitors to reconcile the originary world with the modernity of everyday life.

The art exhibition “Erde” marks the beginning of a new episode in Illya Goldman Gubin’s oeuvre that will focus on the exploration of time, nature, and the elements.

 

24

23

ERDE

1B

SCHWARZ

2020

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Erde 1B, Braun, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
ø 200 cm

MEDIUM:
Local Soil, Mixed Media, Styrofoam, Glassfiber


VIEWED /DATE:
"Erde" exhibition in Berlin  /June 2020

EXHIBITION TEXT: 

Earth is the foundation of all life; and everything that spawns from it must eventually return to its soil. From the midst of this cycle of becoming and transience, the exhibition “Erde” by Illya Goldman Gubin under the former atelier name „97cm“ sets out to explore and reflect on timeless questions: Where are we coming from? Where are we going? What are the possibilities and conditions of creation? What can we learn from nature and how can we integrate this knowledge into our modern lives? The exhibition is not providing definitive answers; rather, it conceives of the artworks as spiritual and sensory encounters.

The concept of an eternal point of origin from which creation flows forms the central motif of “Erde“. Earth, therefore, has two meanings: it is an originary world, our home planet, a giant machine providing the possibility of life. In addition, it is the soil teeming with life - a plane of immanence that is the condition of creation. „Ursprung /Erde“, a crater filled with soil and water is thus the centerpiece from which the other works are created. The soil itself is sourced from Berlin, Germany, its unique composition and richness both a testament to its interconnected location in the world and a symbol for the diversity of creation. The water in the crater is a reflective surface that looks back at the viewer, emphasizing the connectedness to nature.

The series of artworks featured in the exhibition, then, provoke visitors to feel for an essence rather than to simply observe a form. Connecting to the earth, visitors are invited to reflect on the deep, murky depths of our common origin and consider its formless simplicity. In so doing, they are able to reduce the psychological distance between individual things, realizing the arbitrariness of boundaries, and rediscovering themselves within the other. As a result, “Erde” encourages visitors to reconcile the originary world with the modernity of everyday life.

The art exhibition “Erde” marks the beginning of a new episode in Illya Goldman Gubin’s oeuvre that will focus on the exploration of time, nature, and the elements.

 

23

22

STRUKTUR LAMPE

1B

SCHWARZ

2020

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Struktur Lampe, 1-11B, Schwarz, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
Eleven plus one artist proof

MEASUREMENTS:
Foot 26 x 17 cm, Lamp 200 cm 


MEDIUM:
Steel, Plastic, Plaster, Mixed Media


VIEWED /DATE:
"Intersection" exhibition at Gallery Feldbusch Wiesner Rudolph in Berlin  /July 2020

ARTWORK TEXT: 
To blur the boundaries between clothing and sculpture, everyday objects and artistic works, Structure specially developed surface was transferred to the latest works. By connecting everyday products with the art, a dialogue between the static and the moving is created. I believe that looking at things from different perspectives - in and out of its usual context, could only enrich the work, trigger new ideas and liberate unseen possibilities.

22

21

STRUKTUR STUHL

1B

SCHWARZ

2020

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Struktur Stuhl, 1B, Schwarz, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
39 x 47 x 77 cm 


MEDIUM:
Steel, Plastic, Plaster, Mixed Media


VIEWED /DATE:
"Intersection" exhibition at Gallery Feldbusch Wiesner Rudolph in Berlin  /July 2020

ARTWORK TEXT: 
To blur the boundaries between clothing and sculpture, everyday objects and artistic works, Structure specially developed surface was transferred to the latest works. By connecting everyday products with the art, a dialogue between the static and the moving is created. I believe that looking at things from different perspectives - in and out of its usual context, could only enrich the work, trigger new ideas and liberate unseen possibilities.

21

20

STRUKTUR TISCH

1B

SCHWARZ

2020

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Struktur Tisch, 1B, Schwarz, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
110 x 67 x 105 cm 


MEDIUM:
Steel, Wood, Plaster, Mixed Media


VIEWED /DATE:
"Intersection" exhibition at Gallery Feldbusch Wiesner Rudolph in Berlin  /July 2020

ARTWORK TEXT: 
To blur the boundaries between clothing and sculpture, everyday objects and artistic works, Structure specially developed surface was transferred to the latest works. By connecting everyday products with the art, a dialogue between the static and the moving is created. I believe that looking at things from different perspectives - in and out of its usual context, could only enrich the work, trigger new ideas and liberate unseen possibilities.

20

19

STRUKTUR STAB

1B

SCHWARZ

2020

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Struktur Stab, 1B, Schwarz, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
/

MEDIUM:
Steel, Mixed Media


VIEWED /DATE:
/

EXHIBITION TEXT: 
/

19

18

TUCH

1B

NATUR

2020

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Tuch, 1B, Natur, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
/

MEDIUM:
Paper, Mixed media


VIEWED /DATE:
/

EXHIBITION TEXT: 
/

18

17

HÜLLE

1B

NATUR

2020

PAINTING

PDF

REQUEST ARTWORK

ARTWORK NAME:
Hülle, 1B, Natur, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
61 x 81 cm

MEDIUM:
Paper, Mixed media


VIEWED /DATE:
/

EXHIBITION TEXT: 
/

17

16

PROFIL NADEL

11B

SCHWARZ

2020

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Profil Nadel, 11B, Schwarz, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
/


MEDIUM:
Mixed media, Fabric, Aluminum


VIEWED /DATE:
/

EXHIBITION TEXT: 
/

16

15

STRUKTUR

1-4B

SCHWARZ

2019

PAINTING

PDF

NO REQUEST

ARTWORK NAME:
Struktur, 1-4B, Schwarz, 2019

ARTIST NAME:
Illya Goldman Gubin

EDITION:
Four

MEASUREMENTS:
ca. 20 x 20 cm

MEDIUM:
Mixed media on canvas


VIEWED /DATE:
/

EXHIBITION TEXT: 
/

15

14

TERRA

1B

SCHWARZ

2019

PAINTING

PDF

REQUEST ARTWORK

ARTWORK NAME:
Terra, 1B, Schwarz, 2019

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
/


MEDIUM:
Mixed media, Local Soil on canvas


VIEWED /DATE:
/

EXHIBITION TEXT: 
/

14

13

PROFIL ERDE

10B

SCHWARZ

2019

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Profil Erde, 10B, Schwarz, 2019-2020

ARTIST NAME:
Illya Goldman Gubin and Mehmet Cevik [collaboration work under the former atelier name 97cm]

EDITION:
One

MEASUREMENTS:
165 x 45 cm


MEDIUM:
Fabric, Local Soil, Mixed media


VIEWED /DATE:
Erde exhibition  /June 2020

EXHIBITION TEXT: 

Earth is the foundation of all life; and everything that spawns from it must eventually return to its soil. From the midst of this cycle of becoming and transience, the exhibition “Erde” by Illya Goldman Gubin under the former atelier name „97cm“ sets out to explore and reflect on timeless questions: Where are we coming from? Where are we going? What are the possibilities and conditions of creation? What can we learn from nature and how can we integrate this knowledge into our modern lives? The exhibition is not providing definitive answers; rather, it conceives of the artworks as spiritual and sensory encounters.

The concept of an eternal point of origin from which creation flows forms the central motif of “Erde“. Earth, therefore, has two meanings: it is an originary world, our home planet, a giant machine providing the possibility of life. In addition, it is the soil teeming with life - a plane of immanence that is the condition of creation. „Ursprung /Erde“, a crater filled with soil and water is thus the centerpiece from which the other works are created. The soil itself is sourced from Berlin, Germany, its unique composition and richness both a testament to its interconnected location in the world and a symbol for the diversity of creation. The water in the crater is a reflective surface that looks back at the viewer, emphasizing the connectedness to nature.

The series of artworks featured in the exhibition, then, provoke visitors to feel for an essence rather than to simply observe a form. Connecting to the earth, visitors are invited to reflect on the deep, murky depths of our common origin and consider its formless simplicity. In so doing, they are able to reduce the psychological distance between individual things, realizing the arbitrariness of boundaries, and rediscovering themselves within the other. As a result, “Erde” encourages visitors to reconcile the originary world with the modernity of everyday life.

The art exhibition “Erde” marks the beginning of a new episode in Illya Goldman Gubin’s oeuvre that will focus on the exploration of time, nature, and the elements.

 

13

12

PROFIL

2-9B

WEISS

2019

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Profil 2-9B, Weiss, 2019

ARTIST NAME:
Illya Goldman Gubin and Mehmet Cevik [collaboration work under the former atelier name 97cm]

EDITION:
Seven plus one artist proof


MEASUREMENTS:
284  x 20 cm


MEDIUM:
Fabric, Mixed media


VIEWED /DATE:
Frankfurt Art Experience; GATE opening; / September 2019; June 2019

EXHIBITION TEXT:
Profil is the comprehension of one particular moment. It articulates the feeling of hovering between the past and the future, between everything and nothing. This very moment of cognition releases a cosmic force that lets the viewer transcend. Due to countless impressions and stimuli that our nervous system has to process in today’s society, our mind often relies on experiences in order to orient our actions towards familiar situations. Contemplating the sculpture triggers a similar mental reaction. While we are still approaching Profil, our subconscious has already programmed an experience. For each and every moment, we carry expectations within ourselves. If we touch Profil, we will recognize the illusion that our subliminal self has created and find ourselves in the unknown. The interaction with the sculpture enables us to overcome cognitive boundaries and become present. We begin to understand how much our organism is automated. By physically experiencing Profil, we create a moment of extension between our past and our future. Thus, a cosmos opens up in which we are able to examine our behavioral patterns and conventions. Through this realization, we are able to evolve as human beings.

12

11

FALTEN

1B

WEISS

2019

PAINTING

PDF

ILLYA GOLDMAN GUBIN

NO REQUEST

ARTWORK NAME:
Falten, Weiss, 2019

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One plus one artist proof


MEASUREMENTS:
42  x 40 cm


MEDIUM:
Fabric, Mixed media


VIEWED /DATE:
/

EXHIBITION TEXT:
/

11

10

PROFIL ERDE

1B

SCHWARZ

2019

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Profil Erde, 1B, Schwarz, 2019

ARTIST NAME:
Illya Goldman Gubin and Mehmet Cevik [collaboration work under the former atelier name 97cm]

EDITION:
One

MEASUREMENTS:
ca. 54 x 30 cm


MEDIUM:
Fabric, Local Soil, Mixed media


VIEWED /DATE:
Erde exhibition  /June 2020

EXHIBITION TEXT: 

Earth is the foundation of all life; and everything that spawns from it must eventually return to its soil. From the midst of this cycle of becoming and transience, the exhibition “Erde” by Illya Goldman Gubin under the former atelier name „97cm“ sets out to explore and reflect on timeless questions: Where are we coming from? Where are we going? What are the possibilities and conditions of creation? What can we learn from nature and how can we integrate this knowledge into our modern lives? The exhibition is not providing definitive answers; rather, it conceives of the artworks as spiritual and sensory encounters.

The concept of an eternal point of origin from which creation flows forms the central motif of “Erde“. Earth, therefore, has two meanings: it is an originary world, our home planet, a giant machine providing the possibility of life. In addition, it is the soil teeming with life - a plane of immanence that is the condition of creation. „Ursprung /Erde“, a crater filled with soil and water is thus the centerpiece from which the other works are created. The soil itself is sourced from Berlin, Germany, its unique composition and richness both a testament to its interconnected location in the world and a symbol for the diversity of creation. The water in the crater is a reflective surface that looks back at the viewer, emphasizing the connectedness to nature.

The series of artworks featured in the exhibition, then, provoke visitors to feel for an essence rather than to simply observe a form. Connecting to the earth, visitors are invited to reflect on the deep, murky depths of our common origin and consider its formless simplicity. In so doing, they are able to reduce the psychological distance between individual things, realizing the arbitrariness of boundaries, and rediscovering themselves within the other. As a result, “Erde” encourages visitors to reconcile the originary world with the modernity of everyday life.

The art exhibition “Erde” marks the beginning of a new episode in Illya Goldman Gubin’s oeuvre that will focus on the exploration of time, nature, and the elements.

 

10

09

JUXTAPOSITION

/

GRÜN

2018

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Juxtaposition

YEAR
2018-19

ARTIST NAME:
Illya Goldman Gubin and Mehmet Cevik [collaboration work under the former atelier name 97cm]

EDITION:
Sixteen


MEASUREMENTS:
/


MEDIUM:
Glass fiber, Mixed media, Acrylic


VIEWED /DATE:
Frankfurt  /September 2018

EXHIBITION TEXT:
Juxtaposition (def) proximity, nearness in space, „contiguity“ of two variables. One variable that can be distinguished in two - both of them, independent, can function as a whole. 97cm latest project is the consequence of a perpetual process juxtaposing art and furniture, old and the new, massproduction and craftsmanship, immateriality and gravity. Tracing and breaking the perfect angles of the form and materiality of Ray and Charles Eames’ original design, 97cm blurs the line between mass-produced goods and highly individual, hand-made sculptural art and forms an object unrestrained by the perfection of Euclidean geometry. Juxtaposition challenges apparently closed systems such as industrial production, culture and nature, tradition and innovation and instead reveals them to be open towards and flowing into each other, perpetually creating something new in the process. Juxtaposition thus connects industrial production and determinism with the volatility and open-endedness of the artist’s craft. The result is a timeless visual link between the design of an everyday object and a sculpture: the latter cannot become without the former but continues to exist beyond, in its own right.

09

08

UNCONSCIOUS

11

NATUR

2018

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Unconscious 11

YEAR
2018

ARTIST NAME:
Illya Goldman Gubin, Mehmet Cevik  [collaboration work under the former atelier name 97cm] in collaboration with Jakob Hetzer

EDITION:
One

MEASUREMENTS:
/


MEDIUM:
Fabric, Mixed media


VIEWED /DATE:
"Conscious / Unconscious" exhibition in Berlin; Installation at Baldon /August 2018; June 2019

EXHIBITION TEXT:
Conscious / Unconscious is a collaborative art exhibit, exploring the parallels between human conscious formation and unconscious impact by natural elements. This is showcased in various sculptures and canvases created using not only natural materials, but also chemical, humanly created substances. This relationship between fabric, texture, chemistry, gravity and weight shows not only the differences between conscious and unconscious creation, but also the paradox that lies within them. The pieces are heavily inspired by the beauty of nature, imperfection, real life interaction with textures, forms and textiles, rather than only a screen. The invisible space is made visible through well thought out conscious decisions. The touch of human craft brings a sense of emotion and contemplation. To capture this unique dialogue of taste, ideas and visions, the pieces were chemically treated and hardened into sculptures that in the end, took on a shape of their own, regardless of the human interaction that birthed them. This work celebrates this special moment in time and builds a visual link to the past, present and future.

08

07

UNCONSCIOUS

10

NATUR

2018

PAINTING

PDF

ILLYA GOLDMAN GUBIN

SOLD

ARTWORK NAME:
Unconscious 10

YEAR
2018

ARTIST NAME:
Illya Goldman Gubin, Mehmet Cevik [collaboration work under the former atelier name 97cm] in collaboration with Jakob Hetzer

EDITION:
One


MEASUREMENTS:
100 x 150 cm


MEDIUM:
Fabric, Mixed media on canvas 


VIEWED /DATE:
"Conscious / Unconscious" exhibition in Berlin /August 2018

EXHIBITION TEXT:
Conscious / Unconscious is a collaborative art exhibit, exploring the parallels between human conscious formation and unconscious impact by natural elements. This is showcased in various sculptures and canvases created using not only natural materials, but also chemical, humanly created substances. This relationship between fabric, texture, chemistry, gravity and weight shows not only the differences between conscious and unconscious creation, but also the paradox that lies within them. The pieces are heavily inspired by the beauty of nature, imperfection, real life interaction with textures, forms and textiles, rather than only a screen. The invisible space is made visible through well thought out conscious decisions. The touch of human craft brings a sense of emotion and contemplation. To capture this unique dialogue of taste, ideas and visions, the pieces were chemically treated and hardened into sculptures that in the end, took on a shape of their own, regardless of the human interaction that birthed them. This work celebrates this special moment in time and builds a visual link to the past, present and future.

07

06

CONSCIOUS

02

NATUR

2018

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Conscious 02

YEAR
2018

ARTIST NAME:
Illya Goldman Gubin, Mehmet Cevik [collaboration work under the former atelier name 97cm] in collaboration with Jakob Hetzer

EDITION:
One


MEASUREMENTS:
/


MEDIUM:
Fabric, Mixed media


VIEWED /DATE:
"Conscious / Unconscious" exhibition in Berlin; Installation at Baldon /August 2018; June 2019

EXHIBITION TEXT:
Conscious / Unconscious is a collaborative art exhibit, exploring the parallels between human conscious formation and unconscious impact by natural elements. This is showcased in various sculptures and canvases created using not only natural materials, but also chemical, humanly created substances. This relationship between fabric, texture, chemistry, gravity and weight shows not only the differences between conscious and unconscious creation, but also the paradox that lies within them. The pieces are heavily inspired by the beauty of nature, imperfection, real life interaction with textures, forms and textiles, rather than only a screen. The invisible space is made visible through well thought out conscious decisions. The touch of human craft brings a sense of emotion and contemplation. To capture this unique dialogue of taste, ideas and visions, the pieces were chemically treated and hardened into sculptures that in the end, took on a shape of their own, regardless of the human interaction that birthed them. This work celebrates this special moment in time and builds a visual link to the past, present and future.

06

05

CONSCIOUS

01

NATUR

2018

SCULPTURE

PDF

REQUEST ARTWORK

ARTWORK NAME:
Conscious 01

YEAR
2018

ARTIST NAME:
Illya Goldman Gubin, Mehmet Cevik [collaboration work under the former atelier name 97cm] in collaboration with Jakob Hetzer

EDITION:
One


MEASUREMENTS:
/


MEDIUM:
Fabric, Mixed media


VIEWED /DATE:
"Conscious / Unconscious" exhibition in Berlin /August 2018

EXHIBITION TEXT:
Conscious / Unconscious is a collaborative art exhibit, exploring the parallels between human conscious formation and unconscious impact by natural elements. This is showcased in various sculptures and canvases created using not only natural materials, but also chemical, humanly created substances. This relationship between fabric, texture, chemistry, gravity and weight shows not only the differences between conscious and unconscious creation, but also the paradox that lies within them. The pieces are heavily inspired by the beauty of nature, imperfection, real life interaction with textures, forms and textiles, rather than only a screen. The invisible space is made visible through well thought out conscious decisions. The touch of human craft brings a sense of emotion and contemplation. To capture this unique dialogue of taste, ideas and visions, the pieces were chemically treated and hardened into sculptures that in the end, took on a shape of their own, regardless of the human interaction that birthed them. This work celebrates this special moment in time and builds a visual link to the past, present and future.

05

04

WALD

/

SCHWARZ

2018

SCULPTURE

PDF

NO REQUEST

ARTWORK NAME:
Wald

YEAR
2018

ARTIST NAME:
Illya Goldman Gubin and Mehmet Cevik [collaboration work under the former atelier name 97cm]

EDITION:
/


MEASUREMENTS:
/


MEDIUM:
Engine hood 


VIEWED /DATE:
"Wiedergeburt" exhibition at Night of the Museums Frankfurt  /Mai 2018

EXHIBITION TEXT:
This space was once forgotten. The greasy door, the rusty tools, the discarded car parts: an old repair shop, left for dead. An energy remained, however, in the cracks in the ground, in the instruments’ signs of use, between the unremembered shelves and within the mute machinery. They were specters haunting the empty halls, silently remembering a past that had a use for them. Is a tool still a tool if it is no longer utilized? What about an engine cover? Can something exist without being perceived? Reshaping the forms that were left behind, 97cm attempted to resurrect the dead. We reintegrated the decaying everyday artifacts into the cycle of nature: the symmetric becomes asymmetric, the familiar becomes unfamiliar, and dead matter comes to life. Abandoned in the past, reborn in the present, present in the future - this is now a space for rebirth.

04

03

UNBENNANT

03

SCHWARZ

2018

PAINTING

PDF

REQUEST ARTWORK

ARTWORK NAME:
Unbenannt 03

YEAR
2018

ARTIST NAME:
Illya Goldman Gubin [under the former atelier name 97cm]

EDITION:
One

MEASUREMENTS:
80 x 80 cm


MEDIUM:
Car cables and tubes, Plastic on canvas


VIEWED /DATE:
"Wiedergeburt" exhibition at Night of the Museums Frankfurt  /Mai 2018

EXHIBITION TEXT:
This space was once forgotten. The greasy door, the rusty tools, the discarded car parts: an old repair shop, left for dead. An energy remained, however, in the cracks in the ground, in the instruments’ signs of use, between the unremembered shelves and within the mute machinery. They were specters haunting the empty halls, silently remembering a past that had a use for them. Is a tool still a tool if it is no longer utilized? What about an engine cover? Can something exist without being perceived? Reshaping the forms that were left behind, 97cm attempted to resurrect the dead. We reintegrated the decaying everyday artifacts into the cycle of nature: the symmetric becomes asymmetric, the familiar becomes unfamiliar, and dead matter comes to life. Abandoned in the past, reborn in the present, present in the future –– this is now a space for rebirth.

03

02

UNBENNANT

02

SCHWARZ

2018

PAINTING

PDF

REQUEST ARTWORK

ARTWORK NAME:
Unbenannt 02

YEAR
2018

ARTIST NAME:
Illya Goldman Gubin [under the former atelier name 97cm]

EDITION:
One

MEASUREMENTS:
80 x 80 cm


MEDIUM:
Car cables and tubes, Plastic on canvas


VIEWED /DATE:
"Wiedergeburt" exhibition at Night of the Museums Frankfurt  /Mai 2018

EXHIBITION TEXT:
This space was once forgotten. The greasy door, the rusty tools, the discarded car parts: an old repair shop, left for dead. An energy remained, however, in the cracks in the ground, in the instruments’ signs of use, between the unremembered shelves and within the mute machinery. They were specters haunting the empty halls, silently remembering a past that had a use for them. Is a tool still a tool if it is no longer utilized? What about an engine cover? Can something exist without being perceived? Reshaping the forms that were left behind, 97cm attempted to resurrect the dead. We reintegrated the decaying everyday artifacts into the cycle of nature: the symmetric becomes asymmetric, the familiar becomes unfamiliar, and dead matter comes to life. Abandoned in the past, reborn in the present, present in the future - this is now a space for rebirth.

02

01

UNBENNANT

01

SCHWARZ

2018

PAINTING

PDF

REQUEST ARTWORK

ARTWORK NAME:
Unbenannt 01

YEAR
2018

ARTIST NAME:
Illya Goldman Gubin and Mehmet Cevik [collaboration work under the former atelier name 97cm]

EDITION:
One

MEASUREMENTS:
147 x 70 cm


MEDIUM:
Car break discs, Metal, Plastic


VIEWED /DATE:
"Wiedergeburt" exhibition at Night of the Museums Frankfurt  /Mai 2018

EXHIBITION TEXT:
This space was once forgotten. The greasy door, the rusty tools, the discarded car parts: an old repair shop, left for dead. An energy remained, however, in the cracks in the ground, in the instruments’ signs of use, between the unremembered shelves and within the mute machinery. They were specters haunting the empty halls, silently remembering a past that had a use for them. Is a tool still a tool if it is no longer utilized? What about an engine cover? Can something exist without being perceived? Reshaping the forms that were left behind, 97cm attempted to resurrect the dead. We reintegrated the decaying everyday artifacts into the cycle of nature: the symmetric becomes asymmetric, the familiar becomes unfamiliar, and dead matter comes to life. Abandoned in the past, reborn in the present, present in the future - this is now a space for rebirth.

01

00

LADDER

/

GRAU

2017

SCULPTURE

PDF

NO REQUEST

ARTWORK NAME:
Ladder

YEAR
2017

ARTIST NAME:
Illya Goldman Gubin and Mehmet Cevik [collaboration work under the former atelier name 97cm]

EDITION:
One


MEASUREMENTS:
/


MEDIUM:
Wood, Concrete, Metal


VIEWED /DATE:
Frankfurt  /December 2017

EXHIBITION TEXT:
Our first three-dimensional, physical object. The sculpture comments on the everyday obstacles creatives face in a world dominated by consumerist logic. At the same time, the sculpture is a physical manifestation of the internalized struggle to climb the proverbial social ladder. The barbed wire disrupts the romantic notion that getting to the top simply requires one step at a time; pain, disguised as the attempt to overcome concrete obstacles established by social rules and constraints, represented by an obstacle made of literal concrete. In the process of creating the sculpture, we became the ladder: it is our combined skeletons. Our personal hopes, dreams, and challenges became manifest in a sculpture of rough materiality.

00

CONTACT

Illya Goldman Gubin

INSTAGRAM:
(at) illyagoldmangubin
(at) igg_atelier
(at) igg_works

MAIL:
c (at) illyagoldmangubin.de

PHONE:
+49 17660943336

ADDRESS:
Eresburgstraße 24-29, 12103 Berlin Germany

IMPRINT

Illya Goldman Gubin
Eresburgstraße 24-29, 12103 Berlin, Germany
+49 17660943336
c (at) illyagoldmangubin.de

OWNER:
Illya Gubin

TAX IDENTIFICATION NUMBER:

21/322/02065

REGISTERING COURT:
Amtsgericht Tempelhof Berlin

ONLINE DISPUTE
Platform of the EU Commission for online dispute resolution /Plattform der EU-Kommission zur Online-Streitbeilegung: 
https://www.ec.europa.eu/consumers/odr

PRIVACY POLICY

TERMS AND CONDITINS

RIGHT OF WITHDRAWAL

ABOUT

I G G is a Berlin-based atelier founded by Illya Goldman Gubin. Breaking the binary continuum of thinking and feeling, science and mysticism, and blurring the line between tradition and innovation, handmade and luxury goods, perfection and imperfection, Illya Goldman Gubin's installations are emphasizing the complexity of human consciousness in order to unravel a better understanding of the self. Terminologies borrowed from the judaism are pervading the art works, serving as reminiscences to the cultural imprint. Integrating the ethnical designation into the work in new and unexpected ways is the product of a permanently sincere dialog between the past, present and the future. The interference of multi perspectivity combined with self-reflection is thus creating a patchwork of sanity and new realms, merging believes and codes of the past with newly acquired knowledge. Searching for the universal key, each work is timeless - it is a bridge to more knowledge that represents the presence and paradigms. Exploring the ambiguities of modern life, challenged by the rapidly shifting conditions of our period, Illya Goldman Gubin creates multi-layered reflections of everyday perception. The artist transforms paradigms, materials, space, and time into works that invite beholders to reflect and feel. Illya Goldman Gubin captures the moment, which in turn perpetually creates other moments yet to come. The result is a body of works in a constant state of flux, encompassing art and a deeper meaning of existence to gain a complex and fuller understanding of the self, to open minds and hearts and liberate their spirit.

COPYRIGHT

© 2021 Illya Goldman Gubin all rights reserved.
All contents of this website and contents contained in the PDFs offered for download (all images, photographies, texts, videos and graphics) are protected by the copyright of the Federal Republic of Germany. The reproduction, modification, storage in a retrieval unit or forwarding in any form or by any means, electronic, mechanical or otherwise for purposes other than personal use without explicit written permission is strictly prohibited. Please ask us before you distribute, reproduce or use the contents of this website. If necessary, we will legally pursue the unauthorized use of parts of the contents of our site.

 

ONLINE CATALOGUE   I G G   2018–22
NAME: ILLYA GOLDMAN GUBIN
ABBREVIATION: I G G
CONTENT: WORKS
PERIOD: 2018-2022  
SELECTED AND LISTED WORKS: 49

NO

TITLE

EDITION

YEAR

FILE

48

KARTON VASE

1B

2022

PDF

ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN


REQUEST ARTWORK

ARTWORK NAME:
Karton Stuhl 1B, Natur, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
Unique

MEASUREMENTS:
124 x 80 x 81 cm

MEDIUM:
Karton, Epoxy resin, Fiberglass

VIEWED /DATE:
Side Gallery, Casavells April 2022
Sized Ltd, Los Angeles February 2022

EXHIBITION TEXT:/

 

47

KARTON STUHL

1B

2021

PDF

ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN


REQUEST ARTWORK

ARTWORK NAME:
Karton Stuhl 1B, Natur, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
Unique

MEASUREMENTS:
124 x 80 x 81 cm

MEDIUM:
Karton, Epoxy resin, Fiberglass

VIEWED /DATE:
Side Gallery Casavells April 2022 
Tribes Space Berlin September 2021

EXHIBITION TEXT:
In Karton, a selection of works from Illya Goldman Gubin, we are introduced to a new but familiar path. Extending from his resinexperiments allowing fluidity to find form, now this takes the form of utility. Utility in function; resinated cardboard structures are sostiffened that they become the seats we remember as children.Stemming from smaller prototypes accomplished in 2020, these reinforced objects have found structural integrity through serious play. The crushed and hand-formed appearance is something out of a childhood memory. Our past relation with such ever-present material as cardboard, now enters our present again. This cogni- tive jolt of reminiscence of the familiar is further fortified through Illya’s experimental practice. Resin and fibreglass bring to reality that which before only existed in our youthful imagination. Past daydreams thrust into realities. A seat, a bench, a table; boxes stacked high call for engagement. Hardened by Illya’s signature resin and fibreglass techniques, thiscardboard material normally associated with transport and move- ment now becomes domestically stoic. While staying true to their raw aesthetic, the use or misuse of these implied objects brings new meaning. Where these cardboard parameters once contained and held in, now they support and withstand out. Movement of goods within these boxes now alludes to mental movement and support outward; interior becomes exterior and back again. What we once carried, can now carry us. Adjoining flat wall pieces are direct references to the formed furni- ture laying in front of them. Guidelines or instructions showing that this can be built and completed again. The totality of the space is accomplished through contortions and arrangements of the sum of its components. A full body-of-work referencing itself; all we have is all we need. The cognitive boundaries of the relation to the work and even the assembly of the forms, is already present and accessible. All that’s remaining from us is a return to the curious mind. Karton is born from remembering this mindset.



46

KARTON BANK

1B

2021

PDF

ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN


REQUEST ARTWORK

ARTWORK NAME:
Karton Bank 1B, Natur, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
Unique

MEASUREMENTS:
180 x 44 x 35 cm

MEDIUM:
Karton, Epoxy resin, Fiberglass

VIEWED /DATE:
Side Gallery Casavells April 2022 
Tribes Space Berlin September 2021

EXHIBITION TEXT:
In Karton, a selection of works from Illya Goldman Gubin, we are introduced to a new but familiar path. Extending from his resinexperiments allowing fluidity to find form, now this takes the form of utility. Utility in function; resinated cardboard structures are sostiffened that they become the seats we remember as children.Stemming from smaller prototypes accomplished in 2020, these reinforced objects have found structural integrity through serious play. The crushed and hand-formed appearance is something out of a childhood memory. Our past relation with such ever-present material as cardboard, now enters our present again. This cogni- tive jolt of reminiscence of the familiar is further fortified through Illya’s experimental practice. Resin and fibreglass bring to reality that which before only existed in our youthful imagination. Past daydreams thrust into realities. A seat, a bench, a table; boxes stacked high call for engagement. Hardened by Illya’s signature resin and fibreglass techniques, thiscardboard material normally associated with transport and move- ment now becomes domestically stoic. While staying true to their raw aesthetic, the use or misuse of these implied objects brings new meaning. Where these cardboard parameters once contained and held in, now they support and withstand out. Movement of goods within these boxes now alludes to mental movement and support outward; interior becomes exterior and back again. What we once carried, can now carry us. Adjoining flat wall pieces are direct references to the formed furni- ture laying in front of them. Guidelines or instructions showing that this can be built and completed again. The totality of the space is accomplished through contortions and arrangements of the sum of its components. A full body-of-work referencing itself; all we have is all we need. The cognitive boundaries of the relation to the work and even the assembly of the forms, is already present and accessible. All that’s remaining from us is a return to the curious mind. Karton is born from remembering this mindset.



45

PAPIER TISCH

1B

2021

PDF

ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN


REQUEST ARTWORK

ARTWORK NAME:
Papier Tisch 1B, Grün, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
Unique

MEASUREMENTS:
165 x 72 x 25 cm

MEDIUM:
Papier, Epoxy resin

VIEWED /DATE:
Side Gallery Casavells April 2022 
Tribes Space Berlin September 2021

EXHIBITION TEXT:
In Karton, a selection of works from Illya Goldman Gubin, we are introduced to a new but familiar path. Extending from his resinexperiments allowing fluidity to find form, now this takes the form of utility. Utility in function; resinated cardboard structures are sostiffened that they become the seats we remember as children.Stemming from smaller prototypes accomplished in 2020, these reinforced objects have found structural integrity through serious play. The crushed and hand-formed appearance is something out of a childhood memory. Our past relation with such ever-present material as cardboard, now enters our present again. This cogni- tive jolt of reminiscence of the familiar is further fortified through Illya’s experimental practice. Resin and fibreglass bring to reality that which before only existed in our youthful imagination. Past daydreams thrust into realities. A seat, a bench, a table; boxes stacked high call for engagement. Hardened by Illya’s signature resin and fibreglass techniques, thiscardboard material normally associated with transport and move- ment now becomes domestically stoic. While staying true to their raw aesthetic, the use or misuse of these implied objects brings new meaning. Where these cardboard parameters once contained and held in, now they support and withstand out. Movement of goods within these boxes now alludes to mental movement and support outward; interior becomes exterior and back again. What we once carried, can now carry us. Adjoining flat wall pieces are direct references to the formed furni- ture laying in front of them. Guidelines or instructions showing that this can be built and completed again. The totality of the space is accomplished through contortions and arrangements of the sum of its components. A full body-of-work referencing itself; all we have is all we need. The cognitive boundaries of the relation to the work and even the assembly of the forms, is already present and accessible. All that’s remaining from us is a return to the curious mind. Karton is born from remembering this mindset.



44

KARTON HOCKER

1-5B

2021

PDF

ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN


REQUEST ARTWORK

ARTWORK NAME:
Karton Hocker 1-5B, Natur, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
Unique

MEASUREMENTS:
46 x 45 cm

MEDIUM:
Cardboard, Epoxy resin, Fibergalss

VIEWED /DATE:
Side Gallery Casavells April 2022 
Tribes Space Berlin September 2021

EXHIBITION TEXT:
In Karton, a selection of works from Illya Goldman Gubin, we are introduced to a new but familiar path. Extending from his resinexperiments allowing fluidity to find form, now this takes the form of utility. Utility in function; resinated cardboard structures are sostiffened that they become the seats we remember as children.Stemming from smaller prototypes accomplished in 2020, these reinforced objects have found structural integrity through serious play. The crushed and hand-formed appearance is something out of a childhood memory. Our past relation with such ever-present material as cardboard, now enters our present again. This cogni- tive jolt of reminiscence of the familiar is further fortified through Illya’s experimental practice. Resin and fibreglass bring to reality that which before only existed in our youthful imagination. Past daydreams thrust into realities. A seat, a bench, a table; boxes stacked high call for engagement. Hardened by Illya’s signature resin and fibreglass techniques, thiscardboard material normally associated with transport and move- ment now becomes domestically stoic. While staying true to their raw aesthetic, the use or misuse of these implied objects brings new meaning. Where these cardboard parameters once contained and held in, now they support and withstand out. Movement of goods within these boxes now alludes to mental movement and support outward; interior becomes exterior and back again. What we once carried, can now carry us. Adjoining flat wall pieces are direct references to the formed furni- ture laying in front of them. Guidelines or instructions showing that this can be built and completed again. The totality of the space is accomplished through contortions and arrangements of the sum of its components. A full body-of-work referencing itself; all we have is all we need. The cognitive boundaries of the relation to the work and even the assembly of the forms, is already present and accessible. All that’s remaining from us is a return to the curious mind. Karton is born from remembering this mindset.



43

HÜLLE

15B

2021

PDF

ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN


REQUEST ARTWORK


ARTWORK NAME:
Hülle 13B, Natur, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
50 x 60 cm

MEDIUM:
Paper, Mixed Media

VIEWED /DATE:
/

EXHIBITION TEXT: 
/

42

KARTON

2B

2021

PDF

ILLYA GOLDMAN GUBIN

 

REQUEST ARTWORK

ARTWORK NAME:
Karton 2B, Natur, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
190 x 90 cm

MEDIUM:
Cardboard, Epoxy resin

VIEWED /DATE:
September, 2021

EXHIBITION TEXT:
In Karton, a selection of works from Illya Goldman Gubin, we are introduced to a new but familiar path. Extending from his resinexperiments allowing fluidity to find form, now this takes the form of utility. Utility in function; resinated cardboard structures are sostiffened that they become the seats we remember as children.Stemming from smaller prototypes accomplished in 2020, these reinforced objects have found structural integrity through serious play. The crushed and hand-formed appearance is something out of a childhood memory. Our past relation with such ever-present material as cardboard, now enters our present again. This cogni- tive jolt of reminiscence of the familiar is further fortified through Illya’s experimental practice. Resin and fibreglass bring to reality that which before only existed in our youthful imagination. Past daydreams thrust into realities. A seat, a bench, a table; boxes stacked high call for engagement. Hardened by Illya’s signature resin and fibreglass techniques, thiscardboard material normally associated with transport and move- ment now becomes domestically stoic. While staying true to their raw aesthetic, the use or misuse of these implied objects brings new meaning. Where these cardboard parameters once contained and held in, now they support and withstand out. Movement of goods within these boxes now alludes to mental movement and support outward; interior becomes exterior and back again. What we once carried, can now carry us. Adjoining flat wall pieces are direct references to the formed furni- ture laying in front of them. Guidelines or instructions showing that this can be built and completed again. The totality of the space is accomplished through contortions and arrangements of the sum of its components. A full body-of-work referencing itself; all we have is all we need. The cognitive boundaries of the relation to the work and even the assembly of the forms, is already present and accessible. All that’s remaining from us is a return to the curious mind. Karton is born from remembering this mindset.



41

KARTON

1B

2021

PDF

ILLYA GOLDMAN GUBIN

 

REQUEST ARTWORK

ARTWORK NAME:
Karton 1B, Natur, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
400 x 80 cm

MEDIUM:
Cardboard, Epoxy resin

VIEWED /DATE:
September, 2021

EXHIBITION TEXT:
In Karton, a selection of works from Illya Goldman Gubin, we are introduced to a new but familiar path. Extending from his resinexperiments allowing fluidity to find form, now this takes the form of utility. Utility in function; resinated cardboard structures are sostiffened that they become the seats we remember as children.Stemming from smaller prototypes accomplished in 2020, these reinforced objects have found structural integrity through serious play. The crushed and hand-formed appearance is something out of a childhood memory. Our past relation with such ever-present material as cardboard, now enters our present again. This cogni- tive jolt of reminiscence of the familiar is further fortified through Illya’s experimental practice. Resin and fibreglass bring to reality that which before only existed in our youthful imagination. Past daydreams thrust into realities. A seat, a bench, a table; boxes stacked high call for engagement. Hardened by Illya’s signature resin and fibreglass techniques, thiscardboard material normally associated with transport and move- ment now becomes domestically stoic. While staying true to their raw aesthetic, the use or misuse of these implied objects brings new meaning. Where these cardboard parameters once contained and held in, now they support and withstand out. Movement of goods within these boxes now alludes to mental movement and support outward; interior becomes exterior and back again. What we once carried, can now carry us. Adjoining flat wall pieces are direct references to the formed furni- ture laying in front of them. Guidelines or instructions showing that this can be built and completed again. The totality of the space is accomplished through contortions and arrangements of the sum of its components. A full body-of-work referencing itself; all we have is all we need. The cognitive boundaries of the relation to the work and even the assembly of the forms, is already present and accessible. All that’s remaining from us is a return to the curious mind. Karton is born from remembering this mindset.



40

HÜLLE

13B

2021

PDF

ILLYA GOLDMAN GUBIN


REQUEST ARTWORK


ARTWORK NAME:
Hülle 13B, Natur, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
50 x 60 cm

MEDIUM:
Paper, Mixed Media

VIEWED /DATE:
/

EXHIBITION TEXT: 
/

39

SCULPTOR COAT

/

2021

PDF

ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN


REQUEST ARTWORK


ARTWORK NAME:
Sculptor Coat White, 2021

ARTIST NAME:
Illya Goldman Gubin (collaborative work with Jakob Hetzer)

EDITION:
One

MEASUREMENTS:
Sculpture: 189 x 40 cm, Foot: 25 x 25 cm

MEDIUM:
Fabric, Epoxy Resin, Raw Metal

VIEWED /DATE:
/

EXHIBITION TEXT: 
/

38

SCULPTOR COAT

/

2021

PDF

ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN


REQUEST ARTWORK


ARTWORK NAME:
Sculptor Coat Black, 2021

ARTIST NAME:
Illya Goldman Gubin (collaborative work with Jakob Hetzer)

EDITION:
One

MEASUREMENTS:
Sculpture: 195 x 40 cm, Foot: 25 x 25 cm

MEDIUM:
Fabric, Epoxy Resin, Raw Metal

VIEWED /DATE:
/

EXHIBITION TEXT: 
/

38

37

HÜLLE

7B

2021

PDF

ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN


REQUEST ARTWORK


ARTWORK NAME:
Hülle 7B, Rot, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
180 x 90 cm

MEDIUM:
Paper, Mixed Media

VIEWED /DATE:
/

EXHIBITION TEXT: 
/


37

36

HÜLLE

4B

2021

PDF

ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN


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ARTWORK NAME:
Hülle 4B, Blau, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
150 x 200 cm

MEDIUM:
Paper, Mixed Media

VIEWED /DATE:
/

EXHIBITION TEXT: 
/


36

35

STRUKTUR

8B

2021

PDF

ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN


SOLD


ARTWORK NAME:
Struktur 8B, Schwarz, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
80 x 60 cm

MEDIUM:
Mixed Media on canvas

VIEWED /DATE:
/

EXHIBITION TEXT: 
/


35

34

HÜLLE

2B

2020

PDF

ILLYA GOLDMAN GUBIN
ILLYA GOLDMAN GUBIN


REQUEST ARTWORK


ARTWORK NAME:
Hülle 2B, Schwarz, 2021

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
80 x 60 cm

MEDIUM:
Paper, Mixed Media

VIEWED /DATE:
/

EXHIBITION TEXT: 
/


34

33

STRUKTUR

7B

2020

PDF

ILLYA GOLDMAN GUBIN


REQUEST ARTWORK


ARTWORK NAME:
Struktur 7B, Rot, 2020

ARTIST NAME:
Illya Goldman Gubin

EDITION:
One

MEASUREMENTS:
24 x 33 cm

MEDIUM:
Mixed Media on canvas

VIEWED /DATE:
/

EXHIBITION TEXT: 
/


33

32

STRUKTUR

6B

2020

PDF